Courtesy of Myles Cameron

Myles Cameron Is Bringing His Melting Pot of Music to The Haunt

The Cayuga Sound Friday After Party, co-sponsored by Ithaca Underground, promises to be a thrilling night at The Haunt tomorrow, September 21st, with a lineup including Elucid, Space Clubs, Lazy Bones and Myles Cameron. At just 21 years, the final artist on that list is already making waves. His most popular song, “Caged Bird,” has nearly 600,000 plays on Spotify. With a self-described genre of a melting pot, drawing from pop, R&B, hip hop, and indie-electronic, his beats are calm and his lyrics rhythmic. Looking at this trending song, one can easily see the poetic tendencies in his writing.

Courtesy of superchillproduction

Interview with Pigeons Playing Ping Pong on the Band’s Unique Personality

Pigeons Playing Ping Pong is a funk and psychedelic band from Baltimore, Maryland that will be performing at The Haunt in Ithaca tonight at 8:00p.m. The band is best known for its explosive performing style and the eccentric, fun personalities of its band members. Luckily, we were able to chat with vocalist/guitarist “Scrambled” Greg Ormont about the band’s beginnings, his approach to performing and tonight’s concert in advance of the show.  

The Sun: Now that you’ve grown to a very successful nationally touring band, what would you say would be your end goal? GO: Well really since we started it all, its been the same mentality. It is never enough.

Courtesy of Max Roberts

Too Many Zooz at The Haunt

A house and EDM band composed of a baritone saxophonist, a trumpeter and a drummer might be unexpected. Last Wednesday night at The Haunt, however, Too Many Zooz defied conventional musical expectations and did so. With screaming trumpet melodies from Matt Doe, evocative dance moves from Leo P and heart-pounding beats from The King of Sludge, Too Many Zooz brought a large EDM festival ambiance to an intimate Ithaca venue. Too Many Zooz is a self-defined “brass house” trio consisting of saxophonist Leo Pellegrino, trumpeter Matt Doe, and drummer David “The King of Sludge” Parks. I had a chance to sit down with Pellegrino before the show and learn about the band and how they got their start.

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A Review of Deer Tick Live at The Haunt

Deer Tick does a pretty good job of subverting your expectations. Judging from the album cover of their first full-length album, “War Elephant,” which includes nothing less than the band members sitting on a sand dune in front of two women in bikinis holding a shotgun and an AK-47, you might not expect the mellow fingerpicked guitars that follow. Moreover, after hearing Deer Tick’s infectious blend of tender folk and rollicking roots rock, you might not expect it to be something you could mosh to. Nonetheless, that’s exactly what we did at Deer Tick’s March 3 show at The Haunt. The night began with comedian Solomon Georgio taking us through his life as an African immigrant and “professional homosexual,” interweaving narratives of childhood bullies with social commentary on racism and homophobia.

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Girlpool at The Haunt

If there is one word that is overused when describing concert experiences, it’s “magical.” Experiences and emotions are subjective, yet everyone seems to come back to that word. I agree that there is a certain atmosphere to be found at concerts that can’t be found anywhere else, but I believe that the affects found in a Girlpool concert are in a category of their own. Girlpool’s music takes emotions that are difficult to describe and puts them in an accurate, concise form of music that makes one think, “Wow. Why couldn’t I think of that when it’s so straightforward?” Taking those sentiments to a small venue like The Haunt makes the experience personal by forcing one to address neglected, bottled up feelings, creating a truly magical experience. Girlpool opened their show with “123,” the first track off their newest album Powerplant.

The Districts play The Haunt in March.

The Districts Release New Album, Return to The Haunt

The Districts released their new album Popular Manipulations August 11, featuring their former indie rock sound, but richer and more developed. The band hails from Pennsylvania and earned their modest fame during their high school years. The album opens with the song “If Before I Wake.”  The lyrics open with “thunder woke me up, it was storming in the city, I was suddenly wide awake.”  The song is the perfect introduction for the lyrically exciting album, as it acts as a wake up call for the band’s new success. The lyrics “too blessed to be depressed” and “god, I’m bending over, love me” perfectly exemplify Rob Grote’s raspy and addicting voice that captures and keeps the listener’s attention. “Violet” is the second song on the album that touches on past memories.