Guest Room | Some Last Minute Best Picture Reflections

If you were to ask last November which movie was poised to win the 2015 Best Picture at this year’s Academy Awards, a strong majority would subscribe to Carol as first-in-line for Oscar gold, as Cate Blanchett and Rooney Mara crafted a dynamically real and voyeuristic affair. The queer-centric film was heavily lauded by critics not only for those performances, but also for its message that is breaking ground for gay rights and equality. As a result, I was left scrambling for clarification when the nominees were announced and Carol was surprisingly omitted. Thus, the question remains: who will win the ultimate award of Best Picture? If the past is indicative of anything, it is that unpredictability is inevitable.

Laughing in the Face of Solitude: The Martian

By JACK JONES

I’ve never seen a space movie that made me want to go to space. In space movies, astronauts never head into the unknown, have a pleasant and informative trip, and return on schedule to their families. Instead, nearly every conceivable disaster strikes, leaving the astronauts with the unsettling prospect of their lifeless bodies floating, weightless and irretrievable, somewhere beyond the sky. As a result, space movies are generally grave and somber affairs, from Apollo 13 to Gravity to last year’s Interstellar. Opportunities for humor are scarce when the characters are surrounded by a seemingly limitless abyss which threatens at all times to swallow them.

The Martian: Rocket Science as Comedy

 

Fall movie season is officially here, which means that even after a summer of particularly good popcorn fare, Hollywood starts craving some respect and puts out all its prestige films. Generally, around this weekend there is one high-quality film released by a major studio and helmed by a heavyweight director. I’m pleased to report that The Martian is this year’s movie. Directed by Ridley Scott and running two and a half never-boring hours, it is a pleasurable and sometimes awe-inspiring ride. It contains some moments of genuine amazement, many that are laugh-out loud funny, and fits neatly into the tradition of recent space-set blockbusters by big-name directors like Christopher Nolan’s Interstellar and Alfonso Cuaron’s Gravity. The film plays like a comedic fantasy version of Apollo 13 with its good-natured characters, not a one of them evil or out for sabotage, striving to bring home a lone marooned space explorer on cinema’s favorite alternative planet.