Ithaca Talent Shines in Deathtrap

A staged reading is always a dangerous route to take for actor and directors. In this format the performers’ physicality and intentions are focused towards the script in their hands, which can make them feel immobilized and their characters seem flat. It is especially courageous to put up a staged reading of a play with the notoriety of Deathtrap, which won the 1978 Tony Award for Best Play for playwright Ira Levin. A significant portion of the room has most likely already seen this Broadway classic produced by a full production team with seasoned actors who’ve had at least a few more weeks to memorize, stage, and color their performances. Luckily, local Ithaca theatre troupe The Homecoming Players casts a group of extraordinary actors, who successfully turn what could have been a long night at the Kitchen Theatre into a romp of suspense and hilarity.

DOOLITTLE | I Hope I Get It: The Accessibility of Broadway

By SEAN DOOLITTLE

At the beginning of the 65th Tony Awards ceremony, Neil Patrick Harris sang “Broadway has never been broader, it’s not just for gays anymore!” and a wave of heterosexuals suddenly flooded Manhattan, from 40th all the way up to 54th. It was a lovely little song for “those who’ve never seen theatre before,” but who have somehow found themselves spending a Sunday evening watching the most niche awards show on broadcast television, next to the CMAs; A signal of inclusivity to come for one of the most exclusive spheres of the arts. Of course, straight folks never really need to worry about being included in anything, anyway. Broadway has never had an issue with sexual orientation to begin with, save the relative invisibility of lesbian women on and off stage (which warrants a future column at some point). No, the real divide between theatregoers and non-theatregoers has always been one of status and class.