GOULDTHORPE | DreamWorks Revisited: Where Are They Post-Trolls?

A couple months ago, I delivered my thoughts about DreamWorks Animation, a studio that’s grabbed the industry spotlight — not through any smashing successes this year, but because of their recent acquisition. I don’t want to go through that whole rigamarole once more, but some recent developments have grabbed my attention and deserve to be brought to the discussion table. First of all, some good news: Trolls seems to be doing very well in theaters. After two weeks, it’s brought in $226 million worldwide. With a budget of $125 million, it looks like there’s some profit in DreamWorks’ future.

You Just Got Trolled

Well, I said this before in a past installment of my column Animation Analysis, but I must repeat it here with greater sincerity: I owe DreamWorks Animation an apology. All of the previous flak I’ve given Trolls, I would like to redirect to their marketing team for making me think this was going to be a stinker of a film. Seriously though, do some reorganizing in that department. The cringeworthy teaser gave us twerking trolls; the film itself actually turned out far better than I dared to hope. To be sure, it has its share of flaws, but overall DreamWorks’ Trolls, directed by Walt Dohrn and Mike Mitchell, actually delivers a good time.