Columns

TRUSTEE VIEWPOINT | I’m Tired

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I woke up this morning in cold sweat from a dream that I slept through a prelim. Before I had a chance to reassure myself that it was a Monday and it was too early in the day to be sweating, I glanced at the 12 messages that needed responses on my phone, thought of the reading that I had to complete for my 10:10 class, and then felt the pile of laundry that has been sitting at the foot of my bed for the past week. I glanced at the date, only to realize that I had to begin racking my brain for an idea to write about for this column, and then noted the time only to realize that I had a meeting on campus in 15 minutes. As I rushed to try to pop a pimple under my nose and brush my teeth before I headed out the door, it dawned on me: Do I even have time to think? It was a question I asked myself several times last week each time I received a message from the University.

Columns

WHAT’S UP, DOC? | The Price of Success

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If you’ve ever taken a psych class, odds are you’ve heard of the Stanford marshmallow experiment. Children were told that they could either eat a marshmallow immediately or wait 15 minutes and have two marshmallows. Some of the kids gobbled up the marshmallow right away while others were able to hold out for the big payoff at the end of the test. The study was a landmark look at delayed gratification, and later studies showed that the kids who could hold out for that second marshmallow went on to greater academic and professional success than the kids who couldn’t. Delayed gratification equals success.

ANTI

TEST SPIN: Rihanna — ANTI

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A new Rihanna emerges with ANTI. A black ­and ­white childhood image of the singer makes its appearance on the album cover, both striking and mysterious. This is not the first time we have seen a hip hop artist use a childhood portrait for their album art: Nas’ Illmatic and Notorious B.I.G.’s Ready to Die are iconic album covers that also engage with the symbolism of a young child. However, ANTI’s album art distinguishes itself from what any other artist has done in the past. In collaboration with Israeli artist Roy Nachum and poet Chloe Mitchell, Rihanna co-wrote a poem called “If They Let Us” and translated it into Braille.