“Andy Kerr’s Colgate team came down to Ithaca again this year ‘merely for the ride’ as the aerial blitzkrieg of the Cornell gridders walloped the Red Raiders on Schoellkopf Field Saturday afternoon by a score of 34-0,” wrote The Sun’s Bob MacFarland in that Monday’s paper in 1940.
In 1943, as World War II raged in Europe and Pacific, Ithaca lost The Cornell Daily Sun. From its ashes sprang an unfamiliar new paper, The Cornell Bulletin, which would exist for three years until The Sun returned to campus. Though The Bulletin was short-lived, its impact would be felt far beyond its run of publication, because it inaugurated a new era of Cornell student journalism. The paper’s inception marked the end of The Cornell Daily Sun’s systematic exclusion of women from leadership, which had persisted since 1880. The Bulletin was the first Cornell paper of record with women at the helm, and these groundbreaking student journalists ensured that the gates of the reestablished Sun would be permanently open to women.
As a fan of Salinger’s works, and someone who generally enjoys biopics about writers and creative people, Rebel in the Rye seemed to be right up my alley, but unfortunately fell flat in many places. I felt that Rebel in the Rye did not reveal or add much to what many fans already know about Salinger’s life.