A few semesters ago, when I was a more active staff writer in this section, I reviewed the 1971 film Walkabout before it screened at the Cornell Cinema. When the opportunity arose to review one of the greatest Australian films ever made, I obviously seized it without hesitation, thankful there exists an institution right here at Cornell that is devoted to showcasing profound examples of world cinema, like Ran and Koyaanisqatsi, alongside more contemporary works like Moonlight and Baby Driver. I didn’t expect much to come of that review — after all, who actually reads this section, if not this paper, right? — but at the bottom of the online article, I found a comment by an alumnus named David Moriah ’72, whose response is tangible evidence of the enduring relevance of institutions like the Cornell Cinema. It has been nearly half a century since David graduated, yet he has “returned to [Walkabout] several times over the years and continue[s] to drink in the deep well of its wisdom and beauty.”
Recently, we were all rudely awakened to discover the Cornell Cinema has been threatened by not just a reduction to existing funding, but a complete withdrawal of financial support.