Billie Eilish and The Art of the Bond Theme

Is it as explosive as “Skyfall?” Is it as sexy as “For Your Eyes Only?” Will anything ever top “Goldfinger?” The answer for each one of these questions is no. But that’s because, with this release, Eilish has subverted the standard creation formula for a Bond theme.

Spinning Singles: Girlpool, “Picturesong”

There has always been a certain magic to Girlpool. The bond that duo Harmony Tividad and Cleo Tucker share is unlike any other. Girlpool stands out due to their lack of a drummer: Cleo’s guitar chords and picking fit perfectly with Harmony’s bass — or vice versa when they trade off. Their vocal styles also seem to have been made for each other and are instantly identifiable. Their music was perfect already without a drummer.

The Sun’s Top 10 Songs of 2017

1) Bodak Yellow – Cardi B

Perhaps the most pervasive and noticeable facet of this song is the unapologetic delivery of Cardi B’s lyrics. The percussive nature of her articulation almost renders the background beat subservient to her artistic command. Supporting the lyrics is the repetition of a haunting melody which produces a sense of tension that despite being peripheral, is undeniably entrancing. Mesmerizing and captivating, Bodak Yellow is a beautifully hypnotic work. By Varun Biddanda

2) “Passionfruit” — Drake

“Passionfruit” is possibly the most confusing track on More Life.

Spinning Singles: “Walk on Water” by Eminem

Eminem is a walking contradiction, at once meticulous and utterly messy, both in character and in lyric. His politics are complicated, his rhymes often puzzling. The illustrious Marshall Mathers has without a doubt left behind a prickly portfolio that ranges from aggravating dark male anger to poppy bops to at times mind-bending twists of verse. He is, by most measures, one of the greatest and most problematic hip-hop artists of his era. Eminem has since more or less fallen out of the zeitgeist, nowadays reserved for workout playlists and the occasional surprise appearance on shuffle.

JONES | How Bad Can a Good Time Be? A Discussion of Three Versions of U2’s New Single

Have you been keeping up with U2? I hadn’t really checked in since the PR disaster of Songs of Innocence’s 2014 release, when the band attempted to regain relevance and reach a younger audience by forcing everybody with an iPhone to own their music. What they intended as a generous gift was instead received like the act of a tyrannical surveillance-state: many iPhone owners were outraged by the band’s disregard for the normal practices of ownership and consent in the digital world. But don’t count U2 out just yet! It turns out that in the years since Songs of Innocence’s stealth-deposit, U2 has been contemplating the naivete that led them to this colossal miscalculation.