I may have aged another year, but I remain in the same state of arrested development that holds dear a decade-long obsession with the Academy Awards. This year, at least, has been an uncharacteristically good year for the kind of prestige awards fodder that ends up nominated, and though (as always) I didn’t like everything, I found a lot of really enjoyable bits in almost all the best picture nominees, even the bad ones. I’ve already reviewed Killers of the Flower Moon, The Zone of Interest and Barbie/Oppenheimer for The Sun (not to mention the excellent reviews of the last two from other Staff Writers), but there are six more Best Picture nominees that are worth talking about. Although the distinction is arbitrary, I’ve split them into two articles, one covering the ones I liked (or reservedly recommend) and another the ones I liked less (or think might merit a skip). Without further ado, here are the ones I liked:
Cord Jefferson’s American Fiction, adapted from the 2001 novel Erasure, attempts to simultaneously satire the current state of Black literature and backdoor a compelling family drama in the space of two hours.