If Britannia once ruled the waves, America now indisputably rules the skies, and its aerial power is growing ever more precise. First, the USAAF of 1945, then an adjunct limb of the ground forces, could drop phosphorous bombs with impunity on every exposed inch of Dresden. Two decades later, napalm could be used to raze thin stretches of settled and foxhole-littered jungle in Vietnam, sans, supposedly, excessive civilian loss of life. Now, a house in a Kenyan neighborhood can be pinpointed and destroyed from kilometers above with the latest in predator drone technology. This is as much a moral as it is a technological evolution, and it is a moral dilemma which lies at the heart of Eye in the Sky, given limited release in select theaters in the United States this past month.