Metropolis: Alloy Orchestra Come to Cornell Cinema

Created in 1927, Metropolis (dir. Fritz Lang) is a classic urban dystopian tale — we follow the story of Freder (Gustav Fröhlich), the son of the wealthy Joh Frederson (Alfred Abel), whose power and influence essentially keep the city running, and Maria (Brigitte Helm), a young woman who is a saint to the poor underground workers who keep the city’s essential machinery running through long, tiring shifts. With the class struggle as a core driving force of the plot, Metropolis was initially criticized for communist themes — and shortly after the premiere, the film was heavily edited and shortened. On Saturday night, Cornell Cinema played the most recent restoration of the film, done in 2010, which, amazingly, has restored 95% of the original film. Despite the length of this restoration (over two hours), the film is well worth it — filled with the Art deco themes that are so indicative of the twenties, Metropolis feels strangely modern; it’s visually pleasing, even in black-and-white.

Actions Speak Louder Than Words

After surviving attempts to destroy all copies of this film due to copyright infringement (they never got the rights to the material), this adaptation of Stoker’s Dracula (1897) was brought before a packed audience in Sage Chapel. For those who don’t know, Nosferatu is a 1922 silent, expressionist, German film. This means lots of beautiful stylized acting may be in store, which is my favorite part of any silent film. Since silent films can only use intertitles for dialogue, the plot has to be conveyed via the characters’ actions. The actors are over the top in their gestures, and their eyes bulge farther than I think should be physically possible.

GUEST ROOM | Citizen Kane, 75 Years Later

The year 1941 saw the release of Citizen Kane. Orson Welles directed, wrote, produced and starred in the film, which has been criticized for its resemblance to the life of the newspaper tycoon William Randolph Hearst. The storyline is the quintessential American Dream, perfectly arching a rise and fall for its tragic hero: Charles Foster Kane. Due to its technological advances, its interpretation of the American dream and its emphasis on the gratuitous excess that comes along with power, Kane stands the test of time, even 75 years later. The film follows the ups and downs of fictitious media mogul Charles Foster Kane (Welles) through his rise to power and subsequent loss of everything.