Desolation, betrayal, evil and, above all else, sacrificial love feature prominently in Kurt Riley’s 2016 release, Kismet. Riley — the musical alias of Industrial and Labor Relations student Kurt Fritjofson ’16 — crafted Kismet around a narrative that draws upon grand and utterly thrilling science fiction motifs. In brief, Kismet follows King Bandele, a character whom Fritjofson often sings as and portrays in his music videos, as he travels to Earth in pursuit of his Queen, Heaven Snow. Bandele lives in a civilization that, I would argue, seems to be a reimagining of the human race’s trajectory. In place of human greed and violence, Bandele’s society is selfless, thoughtful and compassionate; Bandele’s contemplations of the duality of human cruelty and kindness drive much of the album’s tension.