Weston Barker ’21 and the Midnight Comedy Troupe are deathly funny. The seven member outfit is Cornell’s newest and only dark humor sketch group that does its best to shock, awe and entertain. They hit the mark, brilliantly. Judged on just their comedic chops, this group stands alone. But what really sets them apart is their secondary goal: to inspire (or incite) meaningful dialogue and bring people together with conversation and laughter.
“Not only do they talk about you as being the undisputed king of comedy, but your [work] is deeper and broader,” Charlie Rose declares at the beginning of a 30-minute interview with Louis C.K. “You could make comparisons to Lenny Bruce, to Bob Dylan … comparisons to a sort of philosopher-king.” Clearly anticipating some kind of credit for coining the term “philosopher-king,” the self-serious Rose awkwardly pushes the comedian for a response. Upon realizing the talk show host was, indeed, serious, C.K. replies, “I don’t know, man, I’m just a comedian … anything beyond that I always get a little uncomfortable.”
The interview dates back to May 2014, but that goofy exchange remains indicative of just how difficult it can be to define C.K.’s current position in pop culture. His latest offering, a series entitled Horace & Pete, does little to clarify what it means to be “just a comedian.” Set within a hundred year-old Brooklyn dive bar operated by — you guessed it — Horace (C.K. himself) and his brother Pete (Steve Buscemi), the series features the comedian pushing himself into more strictly dramatic territory and exploring new modes of independent production. Along for the ride is an embarrassingly talented supporting cast, counting among its ranks Jessica Lange, Edie Falco, Rebecca Hall and Alan Alda — who frequently steals the show as Uncle Pete, an aged, foul-mouthed bartender resentful of Brooklyn’s hipster invasion (amongst other things). Oh, and did I mention Paul Simon performs the show’s theme song?
Deadpool has electrified Marvel fans since the film’s announcement. The wisecracking “Merc with a Mouth” — whose real name is Wade Wilson — unprecedentedly secured a movie all to himself, despite his relatively narrow fan base and lackluster appearance in 2009’s X-Men Origins: Wolverine. The film actually uses these original failures to its advantage. In Deadpool, the fourth wall is broken numerous times in an attempt to poke fun at Origin’s missteps and to give the antihero Deadpool (Ryan Reynolds) a history with audiences, eliminating the need for any previous knowledge of his character. In fact, Deadpool might be Marvel’s most skillfully told origin story yet.