Susette Newberry – Head of Research and Learning Services and the Art Librarian at Olin and Uris Library – continues to help undergraduate and graduate students alike in securing the resources they need to finish the semester from home.
At first, the email appeared to be a reply to previous emails— opening the email revealed a blue box with instructions to “display trusted message.” However, unsuspecting Cornellians who opened the email quickly found out that it was not what it seemed.
On Sept. 8, The Forward published a column by Noah Berlatsky titled “Stephen King’s ‘It’ Shows Hollywood Still Has a Jewish Problem.” You don’t have to tell me twice that anti-Semitic tropes still run rampant in Hollywood. But I was surprised that Berlatsky argued that It proved this point. In It, Pennywise the Clown faces off against a ragtag band of lovable outcasts — the fittingly named “Losers Club.” Among the misfits stands Stanley Uris, a Jewish tween in what seemed to be an almost entirely Christian town. I could relate.
There’s a moment about halfway through Andrés Muschietti’s new film It, an adaptation of the Stephen King novel of the same name, where the band of kids (“The Losers”) are discussing the monster that’s been haunting them. The monster is a being that takes various shapes but prefers that of a demonic clown, and the kids realize as they listen to each other that it has been appearing in the form of whatever they fear the most. Mike, whose parents burned to death, sees their charred arms struggling to get past a door; Eddie is a hypochondriac due to his mother’s emotional manipulation, so he’s stalked by a leper; Beverley, who has a sexually abusive father and is afraid of how the arrival of her period will challenge her father’s insistence on her remaining “daddy’s little girl,” faces a sink erupting in a fountain of blood. Finally, Richie, the comic relief of the group, is asked what he is most afraid of. In response, he pushes his glasses up his nose, shivers and mutters, “Clowns.” Rough luck, Richie.