“The Falcon and the Winter Soldier,” Marvel’s latest six-episode series, recently concluded after its final episode was released April 23 on Disney+. This series follows Sam Wilson and James “Bucky” Barnes six months after the events of Avengers: Endgame as they navigate the consequences of half of the world’s population returning.
In superhero movies, saving the world has become the equivalent of drinking cough syrup: excruciating, repetitive, ultimately necessary and, dare I say, boring? On one hand, there is no better way to raise stakes or unify disparate groups of people; when the fate of the world is at risk, even major ideological differences can be pushed aside for the sake of ensuring survival. But if this trope is repeated too many times, that sense of urgency can quickly give way to leisure. When the stakes are repeatedly raised, the risks feel disingenuine and deceitful, because the on-screen peace and/or carnage we know will ultimately be reversed in the future. Peyton Reed was surely aware this fatigue as he directed the Marvel Cinematic Universe’s third film of 2018, Ant-Man and the Wasp.
Anyone who knows me knows me to be a huge Marvel fan, and knows that in the past few weeks I have not stopped talking about Avengers: Infinity War. And while I’ve been marveling at how far the Marvel Cinematic Universe has come in terms of character development and universe-building in the past ten years, I also can’t stop thinking about the one thing they’ve made very little progress on: LGBTQ+ representation. To give it some context, in May of 2008, Iron Man brought about the beginning of what we know today as the Marvel Cinematic Universe (MCU). In November of the same year, California passed Proposition 8, which reinstated the state’s ban on same-sex marriage. Here we are, ten years later in 2018.
What was the best moment in Black Panther? Jonvi Rollins: Black Panther taking Killmonger to watch the Wakandan sunset. The moment perfectly exemplifies the “good heart” of the title character while farther humanizing his adversary. The paths of the men finally converge as Panther takes steps to understand, through Killmonger, his duty to others outside of his nation. Andrea Yang: T’Challa’s second visit to the spirits of the past Black Panthers, in which he speaks to his father again and makes a decision about what kind of king he wants to be.