Editor’s Note: This piece is part of The Sun’s dueling columns feature. In this feature, Darren Chang ’21 and Jade Pinero ’19 debate, “Is capitalism good?” Read the counterpart column here. For a lucky few trust-fund babies and Horatio Alger protagonists, capitalism is great! For almost everyone else, capitalism ensures a crippled existence, devoid of agency, entirely contingent on one’s continued productive utility. Also, notably, free two-day shipping.
“For virtually the first time, white Americans have faced social disapproval for being caught on camera in the act of treating utterly normal behavior by black people as criminals,” Baptist and Holden wrote.
Editor’s Note: This piece is part of a new dueling columns feature. In our very first feature, Michael Johns ’20 and Giancarlo Valdetaro ’21 debate, “How have the stakes of American politics risen so high?” Read the counterpart column here. As the rhetoric of both parties, the power grabs of outgoing Republican administrations, and the recent response of Democratic leaders to scandals in Virginia suggest, these certainly are uncommon political times we are living through. The public is not only increasingly polarized, but also increasingly isolated, as the number of counties close to the median voter has more than halved over the past two decades. And yet, to claim that our current political environment involves abnormally high stakes is to sanitize history.
Four Cornell professors gathered in McGraw Hall to discuss the history of capitalism, where each professor crafted their own idea on the history of capitalism, based on past experiences and current research.
“The chief failing of the day with some of our well-meaning philanthropists is their absolute refusal to face inevitable facts, if such facts appear cruel.” -Madison Grant, The Passing of the Great Race
As a prelude to his article, the second of my series on tumult and upheaval in 1916, I must warn any potential reader that the content may be distressing to those sensitive to racism and violence. I would advise discretion. The controlled use of violence as spectacle has been a social glue since time immemorial: the Romans handpicked slaves to fight to the death over the graves of their patrician masters, and the despots of feudal Europe relished the drawing, quartering and parading of ghettoized pariahs and their ilk, be they Jewish, Huguenot, or Cathar. These previous blood-shows of Antiquity and the Middle Ages were the concerted efforts of knightly orders to, as they saw it, cut off gangrenous social limbs from the corpus politicum. D.H. Lawrence, in his compendium of critical analysis on the growth and stagnation of American literature, once wrote that a white man would never be at ease on American soil: the dust and mud and bronzed ochre itself would forever reject him, the usurper of one native population and the enslaver of a another he had imported.