Arts & Culture
TEST SPIN | Joji’s ‘Nectar’
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His vocals have shifted from that of the king of lo-fi music to a capable pop singer’s.
The Cornell Daily Sun (https://cornellsun.com/tag/test_spin/)
His vocals have shifted from that of the king of lo-fi music to a capable pop singer’s.
It’s refreshing — almost encouraging — to have our challenges be acknowledged and know that our frustrations are not unique.
The album lacks any coherent artistic vision upon first listen, and while there are some beautiful moments throughout, it appears that the music has been stifled by ambition.
She captures a unique, hometown sound, blends it with ‘80s pop and adds her own flavor to it to create the most pleasant sounding album of this year so far.
With 11 tracks and an album cover that looks a lot like an homage to their greatest hit, the collection is a wonderfully curated blend of the group’s best features.
“You so fucking precious when you smile,” sings Bazzi on the opening lines of his breakthrough single “Mine” which was released in October of 2017. The song rose to prominence in early 2018 after being featured in a Snapchat filter as well as on a recent playlist curated by Taylor Swift. The song has been streamed millions of times and has peaked at number 11 on the Billboard Hot 100 Chart. Largely due to “Mine” and an endorsement from Apple Music granting him heavy promotion, the 20-year-old Michigan native Bazzi’s debut studio album COSMIC had become one of the most highly anticipated albums of 2018. And its arrival has not been a let down.
Sitting in Ithaca Bakery getting ready to listen to By the Way, I Forgive You, I thought back to the first time I heard Brandi Carlile during an episode of Grey’s Anatomy. Her song “The Story” was a major part of the musical episode in season seven and it’s been a constant in my Spotify throwback mixes since. I already associated her music with the faux cloudy Seattle of Grey’s, so I was ready to delve into the new album with my latte in hand. “The Story” showcases what folk singers and specifically Carlile do best: wrap a heartbreaking story in anthemic music. In her opening line (“All of these lines across my face / Tell you the story of who I am), Carlile makes something personal feel utterly universal.
You may know Emily Haines from the Canadian band Metric. This Emily Haines is an entertainer. She energizes arenas of fans. She sings and plays the synth at Coachella. She dances comfortably on the stage.
With cover art that looks like a 1960s cinemascope collage, deep, resonant chords and nostalgic lyrics, Eisley’s fifth album exudes longing. The Texas-based Indie Pop group, founded in 1997 by an eclectic bunch of siblings and cousins, tries to capture and harmonize something simultaneously far-off and contemporaneous. Like the collage cover art indicates, the album truly melds a universal sympathy that connects so many unrelated moments—the far-off planet—and yet it also retains a sense of western egotism—the Marilyn Monroe-esque figure crying newspaper tears. This collage metaphor carries beyond the cover art, the track list and the album. Eisley—which translates to ice island in many Germanic languages—named itself after Mos Eisley, a space town in the fictional Star Wars universe.
Sometimes you can judge a garage rock album by its cover. Rock duo Japandroids have long opted for short, punchy album titles. The duo made their 2009 major label debut with the decisively named Post-Nothing, followed it up the next year with the similarly bold No Singles, a compilation of their limited-run EPs and then released Celebration Rock in 2012. Japandroids’ titles underscored their music: unadorned, fuzzed-out, straight-to-the-point rock tracks about Vancouver, traveling around and awkward love in your 20-somethings. As such, the title of the duo’s 2017 release — Near To The Wild Heart Of Life — signaled a change to longtime listeners.