“Was nothing real?”
“You were real. That’s what made you so good to watch.”
If you’ve ever seen The Truman Show, you likely remember the film’s final scene, when Truman and Christof, the creator of the counterfeit world in which Truman lives, finally meet, partaking in the exchange above. The film is part social commentary and part absurd apologue, all centered on the story of an everyday man whose life, unbeknownst to him, is actually a popular TV show. As evidenced by sporadic cuts to images of various friend groups watching from their couches, the outside world loved the show and tuned in because it felt so genuine: Truman’s experiences and reactions were all real. Truman didn’t know he was on TV, which was the film’s most important narrative conceit.