The Disaster Artist: A Good Movie from a Bad Movie?

If you’ve never seen The Room, let me explain it to you. Most bad movies suffer from a disjointed plot or weak characters. The Room transcends into a different plane. There is a fundamental misunderstanding of how humans act and perceive the world. It’s regarded as one of the worst movies ever… and yet has gained a cult following that’s kept it popular since its release 14 years ago.


Blue Sky’s “Ferdinand” Delivers Some Heart, Some Groans

With all the hubbub over Star Wars, it’s easy to forget that any other movies came out this past weekend. Alongside the box office juggernaut came Ferdinand, the latest entry from Blue Sky Studios. Ferdinand is based off the 1936 classic children’s book, The Story of Ferdinand. It’s a story of a bull who doesn’t want to fight, but instead wishes to smell flowers. When he’s thrust into the arena, he ignores the provocations of the bullfighters and others.


Star Wars: The Last Jedi Review Roundup

Star Wars: The Last Jedi was released Friday to mixed-but-generally-positive review among The Sun’s Arts and Entertainment Staff. Several staff members contributed short reviews, and here are the main points: 

The film played along with the established Star Wars plots and themes, but added some originality that was lacking in The Force Awakens. Mark Hamill’s Luke was more impressive than ever. Some of the character development and one of the subplots fell short. The battle scenes, lightsaber fights, and new planets met the necessary standards of excellence.


Humility, Loyalty, Business and Music — A Conversation with Zaytoven

For any fan of hip-hop, Zaytoven’s name carries a sense of royalty and divinity. However, even if you are unfamiliar with the name, you have almost certainly heard one his tracks; in 2013 Migos released the Zaytoven-produced “Versace” which would soon after became a global sensation following Drake’s contributions to the song. In addition to this mega-hit, Zaytoven has been responsible for countless other bangers including “Big on Big” by Migos. Zaytoven’s beats all have a trademark sound. The tracks begin with his signature calling card “Zaytoven” said in a baby-like, helium infused voice.


Cornell’s Newest Trappers: Maré and J Hall

I sat down in Temple of Zeus not knowing what to expect. Who were these two artists whose trap singles “Glue” and “WOA” have received over 46,000 and 19,000 plays respectively? How did two Cornell students decide to break out of the preppy, Ivy League mold and make, not just rap, but trap music? Go to any frat basement on a Saturday night and you’ll be sure to hear the pounding sounds of Migos, Future or Cardi B, the most prominent trap artists of our generation. Perhaps Cornell is about to become home to the next big trappers of the 2010s.


The Real Slim Shady: Black Rights Activist?


It has been 4 long years since The Marshall Mathers LP 2 dropped. Slim Shady fans across the world have tolerated the intermittent release of side projects like “Guts Over Fear” and short features like that on Big Sean’s “No Favors,” with the expectation that Eminem is cooking up a hot pot of scrambled syllables, another hit album. Now, with the upcoming release of 2000s best-selling artist’s newest album, Revival, we are beginning to see a new side of Eminem. It all started on October 19th, 2016. Eminem released an unexpected tongue-twisting track: “Campaign Speech.” In the track, he delivers an 8 minute, a cappella, rhyming rant.

420_mindhunter_104_unit_01867r2 (1)

Mindhunter Drove Me Crazy

If, like me, you spent your Thanksgiving break binging a show about serial killers instead of spending time with friends and family, Charles Manson’s recent death probably struck you as a “crazy” coincidence. See I’ve spent the last couple days watching one of Netflix’s newest original series, Mindhunter, which follows two late ’70s FBI Behavioral Science Unit agents as they attempt to delve into the psyches of the nation’s most heinous criminals. Produced by David Fincher and starring Jonathan Groff, whose voice who might recognize from Hamilton (King George) and Frozen (Kristoff), and Holt McCallany, who you’ll recognize from something or other, the series’ first season explores the depths of human depravity and the ripples it creates in the lives of those around the edge of the pit. The material this show covers is pretty inherently interesting. The team’s interviews with the killers are wonderfully chilling but it was seeing our “good guys” slowly start to change as a result of those interviews that was the icing on the cake for me.

Top 10 Books of 2017



Exit West by Mohsin Hamid

Exit West takes readers on an imaginative story that tells a very contemporary reality. An unnamed city with an emotionally-charged refugee crisis exposes truths about the emotionality of the immigrant experience while the two protagonists, Nadia and Saeed, sort out their love story. Hamid weaves a novel regarding a pertinent topic with simple but poignant prose that is equally engaging and humbling.  

Lincoln in the Bardo by George Saunders

George Saunders’s first crack at a novel succeeded at spinning an engaging tale centered around the relationship between President Abraham Lincoln and his late son Willie. The emotional scenes between Lincoln and Willie are undercut by the comedic commentary of spirits reconciling their own deaths.

A scene from VeggieTales, the Christian computer-animated series that follows the lives of some adventurous vegetables.

GOULDTHORPE | How Christian are ‘Christian Movies’?

I’ve wanted to write about Christian media and “Christian” media for a long time. Of course, my strength is in animation, so for the most part I’ve stayed quiet. This past week though, we had the release of The Star, and I figured now was the best time for me to lay these feelings out there. I also want to clarify my background with all of this. I consider myself a fairly devout Catholic.


Three Billboards Outside Ebbing, Missouri

For the record, that’s not some clever title from me, that’s just the title of the movie. And, to be fair, why wouldn’t it be? That’s what the movie’s about: three billboards outside Ebbing, Missouri. Maybe it’s because lately I’ve only been seeing superhero movies, which I’ve been harshly informed are “the avatar of the dearth of creativity in American capitalism” (whatever that means), but Three Billboards really surprised me… in that it wasn’t called “Ebbing, Missouri: Age of Billboards” or “Billboard Battle.”

All jokes aside, I liked this movie and I’m surprised that I did because the title is just one of a couple things that make Three Billboards seem a little “Oscar-baity” on first glance. It’s small, it’s gritty and it tackles some extremely adult themes.