Be it often or seldom, we are reminded just how ridiculous our society and morals are. We get sad for no reason, we get grumpy, we’re ungrateful when we have everything given to us and treat each other like garbage. Jonny Sun’s illustrated novel, Everyone’s a Aliebn When Ur a Aliebn Too, is all about the weird ways of “humabns,” the concepts they’ve created and the way that they deal with feelings, fears and each other.
You may be asking yourself, what is Pirates of the Caribbean, a film series based off a theme park ride, doing with a fifth installment? I can tell you in one word. Money! But, what about quality? Is Pirates of the Caribbean: Dead Men Tell No Tales, and the rest of the Pirates franchise for that matter, a success or failure?
I remember back in elementary school, my friends would all read Captain Underpants, a silly comic book series by Dav Pilkey about a superhero who donned nothing but tighty-whities and a red cape. I never actually read the series myself, excepting one time in the school library where I ended up taking a quick peek for myself. This past Friday, DreamWorks Animation brought the comics to life with Captain Underpants: The First Epic Movie. Directed by David Soren and written by Nicholas Stoller, Captain Underpants manages to tell a competent story with good characters and a surprising variety of laughs. The movie focuses on two schoolboys, George (Kevin Hart) and Harold (Thomas Middleditch), who build their friendship on their sense of humor.
Crafting a good prequel film can be tricky. While it is exciting to see backstories of fan-favorite characters or the genesis of a cinematic world, the audience usually knows the outcome of the film. No matter how ambitious, creative, or innovative directors attempt to be, prequels are doomed from the start and are always a slave to canon. As a result, most prequels (X-Men: First Class, Rise of the Planet of the Apes, and Rogue One aside) are merely “creative ways” to reach an assured end and can often feel only marginally connected to the original film that inspired it. This debacle is largely what plagues director Ridley Scott’s latest sci-fi horror film, Alien: Covenant.
SadoSan attempts to do something with his music that more than a handful of artists have aimed at, but which not all that many can claim to have actually accomplished: build something big and brilliant and smart and meaningful off of foundations that couldn’t be much humbler… awkward parties (“Should’ve Known Me”), dusty samples (Ikpeazu), cringeworthy interactions (this very video), and the like. What Sado gives us here in his Sun Session is just a sliver of that ethos: “‘Know Know’ is about dating in NYC,” he says, “and more specifically how it can be when you end up in an intense situation with someone whom you don’t know very well. Sometimes it can be hard to express to someone — especially right to their face — that you just want them to leave.” That’s it.
Concept albums are often a substantial sacrifice to commercial success. If an artist’s impulse to explore a certain idea outweighs their desire to make simpler songs with less context, that are a better fit for their brand, the album may not grab the popularity that a less complex album could have. For some people, the idea and passion that ties a project together may be enough to excuse a lesser quality of music. For others, having an exceptional concept isn’t enough to uphold an otherwise lackluster album. Logic’s Everybody, his third studio album and his seventh musical project released in the past seven years, should be enough to satisfy, if not please, both sides.
Considering the wide variety of obscure Marvel characters, from Squirrel Girl to Spider-Ham, then the likes of Star-Lord, Gamora, Drax the Destroyer, Rocket Racoon and Groot are not too out of left field. The only question was whether audiences would be receptive to an Odyssean epic set against the backdrop of 70s and 80s tunes, where a human space pirate, emerald assassin, vindictive warrior and an anthropomorphic raccoon, along with his tree sidekick, joined forces to save the universe. Yet, with due faith in the Marvel brand and an innovative script from James Gunn and Nicole Perlman, Guardians of the Galaxy ended up being one of the best breakout hits of 2014, praised for its touching characters, visual splendor, humor and unpredictability. Just as the superhero genre was becoming stale due to a bevy of uninspired films like Iron Man, Thor and the X-Men sequels, Guardians gave new life to the genre. The film helped propel other eccentric and outlandish properties, such as Ant-Man (2015), into the mainstream zeitgeist.
Everyone has their guilty pleasures. I have to admit, Pirates of the Caribbean is one of mine. How can you not love the soundtrack from At World’s End? Pirates of the Caribbean: Dead Men Tell No Tales is just around the corner, and I’m wondering what they’re going to do with it. After internet pirates ironically “pirated” the movie, which is about pirates, I wondered what would possess them to do that.
West End China Shop is a shabby rock outfit comprised of four self described “basement dads.” They play garage rock tunes with plenty of keyboard, for the kids and no one else. Drums: Jonny Collazo, Arts and Sciences, Comparative Literature, Class of 2018
Bass: Stephen Meisel, Arts and Sciences, Comparative Literature, Class of 2018
Keys: Franklin Ellis, CALS, Development Sociology/ IARD, Class of 2019
Vox/ Guitar: J. Benjamin Montaño, Arts and Sciences, Gov’t /Comparative Literature, Class of 2019
Videographers: LeeAnn Marcello
Video Editor: LeeAnn Marcello
Audio Engineer: TJ Hurd
In collaboration with Electric Buffalo Records and Fanclub Collective
Emma Watson, Tom Hanks and John Boyega in the same movie? A movie that’s a tech thriller about the dangers of social media? Man, I was hyped for this film! I mean, it had to at least be fun, right? Unfortunately, I haven’t been this disappointed in a movie since Batman v. Superman. Directed by James Ponsoldt and based on the book by Dave Eggers, The Circle comes across as a soapbox movie that can’t even get its message straight.
It’s been a busy semester, believe me, I know. Most of you so inclined have not had the time to read any comics, what with all assignments and studying, and guess what? Neither have I. But I have been able to pretend to have time on occasion, so with borrowed time I would like to recommend a few of the year’s best comics to brush up on when school’s out.
LEAVING RICHARD’S VALLEY by Michael Deforge
The Webcomic Pick
Many of you readers may have a sensitive wallet, so I thought I’d kick off this list with a comic you can read absolutely free of charge on a little place called the internet. Alt Comics enfant terrible Michael Deforge has been serializing Leaving Richard’s Valley on Twitter and Instagram in semi-daily updates with an improvisational energy that almost looks easy.