C.U. Provides Support Services

Yesterday many students returned to class as Cornell University moved forward in the wake of Tuesday’s terrorist attacks on the United States.

Susan Murphy ’73, vice president of student and academic services, explained that the administration decided to maintain the University’s operations “after much deliberation.”

“We believe keeping our offices open and having classes provides a way for us to come together as an academic community,” Murphy said.

Henrik N. Dullea ’61, vice president for University relations, stated that the administration fervently believed in providing students with an opportunity to get together. “The way we get together most actively as a university is to hold classes,” Dullea said.

While President George W. Bush convened his cabinet yesterday, University President Hunter R. Rawlings III met with all of Cornell’s deans at 11:30 to share their reactions, according to Dullea. “They were very supportive of the University’s decision to remain open,” he said.

Murphy stressed, however, that the administration has told professors it is their prerogative whether or not they wish to hold classes.

But for many professors, conducting class was hardly “business as usual” yesterday. In a rare role reversal, several professors allowed their students to dictate the agenda.

In English 366, Prof. Dan McCall, English, told his students that it was “up to them” whether he should proceed with his lecture on The Scarlet Letter. “I was ready to cancel class, defer lecture and just talk, but the vast majority of people were there and wanted to stay,” McCall said.

Like the administration, McCall perceived a student body searching for an avenue of distraction from the attrocities of Tuesday. “Somehow I got the impression that my students wanted to do something, and that if they didn’t they’d just be back at the dorm watching the news,” he said.

McCall was initially convinced that the appropriate response was to shut down the University. “Someone told me Harvard closed immediately, and I thought, that’s what a university should do.”

However, he explained that he was persuaded “by the suddenly eloquent Mayor Rudolph Giuliani,” calling on New Yorkers to “do the work the way you do it, to go about your business and honor the dead by not letting the terrorists win.”

Rather than lecture on the causes of World War One, Assoc. Prof. Jonathan Kirshner, government, allowed his students in Government 181 to decide the course of the session. He answered questions from his students and gave a short commentary on the events.

“In my opening comments, I reminded people that we didn’t know a lot and therefore had to be very cautious about what we’re saying at this point,” Kirshner said.

He explained that he tried to set the disaster in the context of the class by noting how violence is often used to advance a political goal. But Kirshner stopped short of presenting a full discourse on the events. “I didn’t feel it was appropriate to engage in dispassionate, analytical discussion while there were people lying dead.”

Kirshner commended the administration for giving professors the discretion of whether to hold class. “In my opinion, the benefit of having the session was giving students an opportunity to talk calmly and analytically about it,” he said.

While the University has not released any numbers of Cornellians killed in the World Trade Center attack, many students remain indirectly affected, still searching for information.

Sharon Dittman, assoc. director community relations for Gannett: Cornell University Health Services, said that counseling facilities at Gannett “were quiet on people specific to this incident.” She attributes this to the overwhelming degree of support students have given each other in the past two days.

“We’re very busy checking into public places such as Willard Straight Hall and the Campus Store, and we’re extremely impressed with how students have held up this first line of support.”

However, Dittman explained that Gannett is preparing to meet students’ needs in the next phase of this crisis. “[Monday and Tuesday] were days for gathering information. Now fewer people are getting the news they needed,” she said.

Within the next few days, Dittman expects people will begin to get confirmation of terrible losses of friends and family. But the attacks will impact all students psychologically, and according to Dittman, some will suffer physically and mentally from stress in the aftermath. “We want people to know that they don’t have to be going through this alone,” she said.

The University administration has also pledged its support to reaching out to Muslim and Arab students who may feel targeted, according to Murphy.

“To date they have not felt victimized; we have asked the leaders of Mecca and Pakistani groups to let us know what they need,” she said.

“Things seem to be okay; I hope the Cornell community will keep it that way,” she added.

Lindsey Schuh ’02 attended Monday’s vigil on the Arts Quad and was somewhat surprised that none of the student leaders made statements. She supported the administration’s decision to continue holding classes. “The more I would sit and watch the news, the worse I’d feel. I need a constructive outlet,” Schuh said, adding that she hopes to see a Cornell presence in the rescue efforts.

Tom Sheldon ’02, a naval ROTC student, said that he has the same feelings as his fellow students. “ROTC makes me think far more globally about America’s role and what we do in the future. It seems there will be a paradigm shift in the way we treat terrorism. But I don’t have any more fears than anyone else,” Sheldon said.

He described how ROTC units often become “close-knit families” and how events such as this “shake the foundations of those families.” Sheldon feels honored that the Navy is now defending New York and Washington. “It is a privilege to be able to serve in that capacity,” he said.

Archived article by Ken Meyer

Subterranean Style

Instead of dreading the impending winter months of upstate New York that last the better part of a year, rush to your nearest vintage store or rummage through that drawer filled with all those old t-shirts you never wear, but feel too guilty about to throw out.

For the ladies, I recommend cutting off extra large sleeves and sewing them back on where the sleeve is wider than the armhole. The effect? Instant eighties fabulous, drapey sleeves with a cool logo. It’s the pinnacle of casual chic.

For the gents, find the nearest vintage store, Goodwill, Salvation Army, or ransack your Pop’s old trunk full of Seventies college tees long forgotten. Extra small? That’s extra good if you want to show off a bit. Pair it with a wide, distressed leather, studded belt, and a worn pair of blue jeans. And blamo. You’re totally retro cool.

These are just a few tasty treats from your weekly campus style buffet.

Name Julia Durgee

Class 2002

College Human Ecology

Major Apparel Design

What one word describes your style?

Fabulous.

Who or what do you look to for personal inspiration?

My summer experience in London where everyone was just fabulous and just dressed according to how they felt; more artistically and expressively instead of what’s in the stores now.

What’s your major source for style?

Being a TXA major, half the things that I look at in the stores I feel that I can make. I won’t pay so much money for something I can just whip up. I’ll always go vintage shopping. And then there’s my mom’s closet for 80s things.

What’s hot?

The eighties.

What’s not?

Khaki. It’s a safety thing. People wear it because they know everyone else is wearing it.

Name Brent Ledvina

Class Graduate

College Engineering

Major Electrical

What one word describes your style?

Amphibious.

Who or what do you look to for personal inspiration?

My friends, definitely my friends.

What’s your major source for style?

Diesel Stylelab.

What’s hot?

Boas are hot.

What’s not?

Fingerless gloves are not.

Archived article by

Fall TV Turns up the Volume

Could it be that bigger is not actually better? Does size not matter? This question may finally be answered as the year segues into an alluring new season of TV. It may be the small screen, but its modest field of view may give the big screen a run for its money, literally. With a topically diverse listing of shows on each network, an impressive showing of A-list Hollywood talent, and a higher standard to meet in the world of television, the weekly stories we all tune in to each week look eager and apt to please.

There are a few possibilities as to why television, which in the past has offered little competition as a supposedly inferior medium, has entered into a tortoise and the hare type race with the studios of Tinseltown. To begin with, television shows (if they pass the apprehensive first season advertising test) offer a normalized schedule to talent, and steady work in comparison to the job-by-job world of film. Talented thespians who are weary of the globe-trotter lifestyle may find television a nice break from the grueling schedule of a movie star. Instead of living in a constant state of transition, actors come to a point when having an appointed soundstage on a studio lot is a serious perk. Consider Rosie O’Donnell who delved into the world of daytime talkshows in 1997. She may not have been traveling to exotic shooting locations, but she was able to raise her children in her hometown of New York and be a more normalized version of the working mom.

More recently, Martin Short, is now starring on Comedy Central in Primetime Glick, which the New York Times hailed as one of the best new shows of 2001. Returning to the world of broadcast after a spotty twenty year hiatus (he started out as an SNL cast member in ’84 and attempted an unsuccessful talkshow in ’94), Short explained his move to the New York Times in July, citing friends and family as a major motivator.

As Comedy Central is based in New York, it allows the star of both cinema and stage to remain in the same city as his family while still flying his comrades and fellow comics out from L.A. to play. Short’s character, Jiminy Glick, uses his brash and offensive brand of yellow journalism to squeeze the Hollywood buzz and scuzz out of celebs such as Steve Martin, Billy Crystal, and Nathan Lane. It’s a certifiable riot ruled by wit, satire, and pure, unadulturated comedy.

A slew of shows debuting at the end of this month promise the same level of quality and quantity as Short’s weekly expos

Students Gather At Prayer Service

Nearly one-hundred students gathered yesterday on Ho Plaza for a non-denominational prayer service to remember those lost in the tragedy in New York City and Washington D.C.

Members of the Cornell community sat on the grass facing Willard Straight Hall as some of the University’s 25 religious organizations shared words, prayers and songs in memory of those who lost their lives Tuesday in what is being called the worst terrorist attack in the history of the United States.

Cornell United Religious Work (CURW) and the Office for Student and Academic Services organized the vigil yesterday afternoon.

“We wanted to do something of a particularly religious nature, to have an opportunity to reflect, to share,” said Rev. Kenneth Clarke, director of CURW. ‘What we are trying to do here as a religious community is contribute to campus life by providing a presence in a time of need.”

Clarke expressed his appreciation that so many students and chaplains came together on such short notice, adding, “This was put together fairly quickly and we tried to get as many participants as possible.”

Speakers from the Buddhist, Christian, Jewish and Muslim communities gathered to offer prayers last night, which lasted less than 30 minutes. Several top administrators attended the ceremony but allowed the religious groups to lead the service, in contrast to yesterday’s candlelit vigil which drew thousands of Cornellians.

“I think the idea is just to provide as many opportunities as possible to have Cornell students come together,” said President Hunter R. Rawlings III. “The point is to give different viewpoints on campus the chance to be heard. We’re a diverse community; this is a good opportunity to do that.”

Rawlings described the “somber” tone of campus, though he added that “students want to help and find outlets.”

A representative of the Muslim Educational and Cultural Association, who identified himself as Dr. Toorawah, recited the prayer from the first book of the Koran and said after the ceremony, “We’re not all different. We’re the same, even if we’re not citizens of this country. We’re all part of humanity and what hurts one of us, hurts all of us.”

A Christian representative followed the lead of President George W. Bush in reciting Psalm 23.

For Andrew Ulon ’02, the vigil was a way “to reflect on what happened and pay respects to people who lost family members. I figured it was the least I could do.”

Annie Rosenberg ’02 attended the ceremony as a way to deal with the shock.

“I’m searching for something to do. I don’t know what to do with myself,” she said. “What happened is unfathomable. I’m just trying to get on with school as usual, but I can’t stop thinking about victims and their families.”

Students and administrators took a positive outlook on the reaction of the Cornell community to the crisis. “There’s a heightened sense of community, whether its through people stationing themselves in Ho Plaza to find out where to donate blood or through the vigils. The fact that you need an appointment at the Red Cross to donate blood shows people’s response,” said Jamie Porco ’03

“This not only has affected people in the city, but all over the country,” said Pamela Diaz ’02.

Susan H. Murphy ’73, vice president for student and academic services, pointed out the similar hurt that everyone at the gathering was feeling across religious lines.

“To come together in a spiritual way was very important. We have an incredible richness of religious tradition,” she said. “I think it’s marvelous the way the community is coming together.”

Suniti Maheshwari and Manuel Mongalo contributed to this article.

Archived article by Beth Herskovits

Stewart Ave. Bridge Construction Moves Toward Final Completion

The Stewart Avenue bridge will reopen soon, relieving students and residents of inconvenient detours.

“The bridge must be finished by November 21, but we are working so hard to open the bridge for traffic by the end of October,” said Hernando Gil, bridge systems engineer.

The repairs are being made for the safety of residents, Gil said.

They will replace the deck and steel pieces in the bridge. This project will mark the third time the bridge has been repaired since its construction in 1961.

The total cost of the repairs is $1,180,000. The federal government is covering 80 percent of the cost; the state government 15 percent; and the City of Ithaca 5 percent.

The bridge, which is 160 by 38 feet, has been closed since July 18.

Students’ reactions ranged from irritation to indifference.

“It turns driving around West Campus into an annoying headache,” “I wish they had fixed it over the summer,” and “It’s not a big deal” were some of the comments from Cornellians living near the bridge construction.

Archived article by Jennifer Roberts

A Tale From New York

Salil Gupte ’01 had an abnormal trip to work yesterday morning. Gupte, a former managing editor at The Daily Sun, started working north of the World Trade Center as an investment banker last month after graduating in May with a degree in economics. Living in Battery Park City just north of the World Financial Center, Gupte recounted his tale late last night:

“My story starts at 8:45 a.m. or so when I was about 300 yards away from the World Trade Center towers. I looked up to see a plane, that seemed to be accelerating, plow straight into the building. There was an explosion, a flash of flame and black smoke came billowing out of the hole in the building….

“We ran for cover as debris kept falling around us and there was an eerie sense of calm. The emergency response team was screaming, but everything seemed to be running efficiently and under control.”

Gupte returned to his apartment and watched the action from his apartment building.

“I saw the second plane crash outside the window. After the second plane crashed chaos ensued. That’s when the World Financial Center emptied out and we realized that it was no accident — at that point we knew it was an act of terrorism. Originally I thought it was some sort of freak accident.”

Gupte then left his apartment to move north away from the World Trade Center.

“I decided to go north to my office where I figured I would be safer, but the building had been cordoned off. Outside my office I watched the first tower collapse [causing me] to run up the street to make sure I was away from the soot and smoke. After running I turned around and 20 to 25 minutes later the other tower collapsed.”

Prior to the finality of seeing the towers fall, Gupte saw what he describes as the most terrible scene of the day.

“Before the buildings collapsed we saw people jumping from 60-70 stories up. They would hang out of the windows and then jump out. It happened multiple times. Initially it looked like debris, but the people didn’t float like the debris; they sank like rocks. Especially when people would jump up before falling out the window, we realized that it was not just the unconscious falling out. That’s when people started to scream.”

Following orders and to escape the smoke and debris, Gupte made his way northward.

“I decided to move further north as police, FBI and other officials were telling us to do. Public transportation was shut down and Manhattan was effectively sealed off. There were thousands of people moving north taking up more than half the streets. There were no buses until midtown and the buses were jammed. After walking about 60 blocks I got to a bus and took it to Columbia University where [a friend lives].”

Gupte spent the night at the Columbia apartment hearing updates. According to Gupte, cell phone service is “close to nonexistent” and line phone service is erratic. Gupte has been told by his employer that his building will be closed indefinitely.

Archived article by Andrew Gelfand

The Daze Rant

Lady Progress seems to be an accurate characterization for the rock of the new millennium. Elvis Presley may have spearheaded the birth of rock in the twentieth century, the Beatles may have refined it, and Puff Daddy may have made it retro cool. But the rock of the new millennium is being innovated and carried on by women who are products of the first century of rock culture.

The 90s saw a moderate amount of pigeonholing women into the slinky, fairy-dusted depths of Lilith Fair-esque ballads and bitch tunes. However, the first two years of the millennium have provided an opportunity for innovation to new and forgotten female talents. In a way, it is as if the gender labeling has switched sides, and now the predominantly all-male rock groups are taking on an undiscernable sound as either a ballad band or anger rockers.

Whereas in the past all the women sounded like Sarah McLachlan or Alanis Morissette, all the men now seem to sound like Matchbox 20 and Third Eye Blind. The art of pining has switched hands. What I feel are some of the most refreshing and inspiring albums to have be released post-Y2K hysteria, have mostly been written, produced, and performed by the gentler sex. But, these rock n’ roll truants aren’t so gentle.

P.J. Harvey, Stevie Nicks, Nellie Furtado and Madonna have all released strong, inventive, and progressive rock albums that break out of the canned, chart-topping rock ballads that the club of sensitive male bands have been manufacturing over the past few years. Thanks to the likes of Coldplay, Lifehouse, Blink 182, and manifold others, the incidences of American males gazing dreamily at their girlfriends has risen 40% in the last five years.

It’s feasible to state definitively that erstwhile hardcore rock bands like the Goo Goo Dolls and Sugar Ray strategically entered into a battle for chart position with Sheryl Crow and Jewel. It would seem that these guys traded their electric guitars for the gals’ acoustics and vice versa. As progress goes, when the boys went soft, the girls played hard.

It’s not only the familiar queens of alternative radio that have beefed up their sound with harder hitting prose and tunes. Newer voices have followed suit as well. Whether one is influencing the path of the other remains to be seen, but I’d like to think it’s a symbiotic relationship.

Fresh-faced female artists such as Poe (her 1995 hit “Angry Johnny” doesn’t do this diva justice), Lauryn Hill (the buzz on the new album is mouthwatering), and Fiona Apple all seem to be getting better with age. It’s not that they’re doing something that the men were already doing while they dawdled on the sidelines; they’re doing something completely new. They’re ushering rock into a new arena, an arena filled with allegorical lyrics, progressive arrangements, and everyman (or woman) themes. It’s bold. It’s honest. It’s intelligent. It’s a breath of fresh air.

I’ll wager that the rock visionaries of the next millennium will be citing some of these women as the mothers of millennial rock.

Archived article by Laura Thomas

Formula Fighter

Its flashy trailer touts The Musketeer as a “reimagining” of the classic novel. Unfortunately, its creators have reimagined the tale the same way that a high school theatre club might reimagine Les Miserables.

The Musketeer details the adventures of D’Artagnan, who is, not surprisingly, a musketeer. He’s not one of the Big Three; he’s more of a rebel musketeer with his own interests, namely the pursuit of a peasant girl named Francesca, and the killing of a madman named Febre. Febre not only killed D’Artagnan’s parents, but is also a ruthless and corrupt killing machine who is doing his best to overthrow the king and thereby create utter chaos in 17th-century France.

Basically, The Musketeer involves a lot of swordfighting with some pauses in between to hastily introduce the players (lots of muscular fellows with long hair) and the film’s main themes (revenge! love! loyalty!). It’s like getting a big present on your birthday and then finding out it’s all tissue paper inside: there’s lots of flashy superficiality, but not much substance.

The actors don’t add much depth. Justin Chambers as D’Artagnan is essentially a dumb jock. Though dashing and very nimble, he simply fails to inspire, and doesn’t seem very driven. This isn’t “You killed my father, prepare to die!” it’s more “I have various reasons for fighting, now watch me do it because I’m really good!” Mena Suvari’s Francesca is bland and annoyingly self-righteous. Catherine Deneuve’s presence as the Queen of France is initially a pleasant surprise, but even this dynamic actress’s performance is rendered shallow by uninspired dialogue. While it’s almost a clich

Seeing Red

Nowadays, a rapper cannot just produce and create an album as a solo venture. Perhaps this is due to the recent trend of hip-hop collaboration (artists are producing plenty of CDs, featuring twenty members of their own crews). Of course, Malpractice, the new album by Redman, has plenty of featured artists, including Missy Elliott, George Clinton, Scarface, and Method Man, who skipped the Method Man/Redman concert at Cornell in 2000.

Redman’s skills are not limited, but they are unique and appeal only to a select audience. His beats are choppy, and his lyrics rhyme only half of the time. But at least the skits that appear periodically are well-written, and his background music is usually well selected. The “Jerry Swinger Stickup” skit is quite funny, even though it has that played-out story of a black gangsta whose girl is sleeping with a dorky white businessman.

The biggest problem with the skits, however, is that you rarely know who the actors are and what the artist was thinking when he decided that he needed to copycat Saturday Night Live skits instead of writing more rap songs.

That said, being that most albums nowadays don’t surpass fifteen tracks, this 23-track album doesn’t give one much to complain about as far as length goes. The bonus track, “Smash Sumthin,'” is the album’s one radio hit, with a great classical intro and a melody reminiscent of old James Bond themes. “Enjoy Da Ride” (featuring the Meth, Saukrates, and Streetlife) includes a rather surprising rendition of the Inspector Gadget theme in the background, and fast flowing lyrics. “Dat Bitch” is another good track, with Redman going head to head with the leading producer herself, Missy Elliot.

Yet, that’s about it. One humorous skit and three redeeming tracks aren’t worth the price of an album, especially since Redman hasn’t yet imposed his copyright on Audiogalaxy.com and Morpheus. To be honest, the Redman/Method Man spin Blackout wasn’t such a chart-topper either. But, because both of these guys have the skill and the motivation to rap, it had its moments. But it’s apparent that Redman tried to shy away from his counterpart, the Meth, on this CD — not a very smart move.

There is always the possibility that the hip-hop community is getting tired of the mainstream East and West styles. If that’s you, maybe you should check out the new rappers coming out of North Carolina and St. Louis — hey, at least that’s original.

Archived article by Josh Plotnik

On The Wire

What do Guy Ritchie, Clive Owen, and Ang Lee have in common? Yes, this sounds like the prelude to a really corny joke, but actually the answer is quite simple — it is a prime example of the unexpected combinations that digital technology can produce, and an introduction to this column on new media’s contribution to the field of arts and entertainment. New media includes everything computer-generated, from interactive websites to film, from DVDs to song. Most people are so accustomed to its prevalence, that they aren’t even aware of its identity as a distinct genre.

Almost every facet of the entertainment industry, from Hollywood to the airwaves, has been influenced by the popularization of the concept of an interactive audience, which is a part of the new media craze. Simple case in point: the viewer’s choice polls conducted at the recent airing of the MTV Video Awards. Contrary to the notion that millions of Americans were sitting idly by their televisions mesmerized by our leading pop icons (and their use of live animals as props), is the fact that while watching, many were “logging on” to their computers to complete interactive polls