LETTER TO THE EDITOR: Provost Kotlikoff and VP Opperman on ‘Being a Graduate Student in a Harvey Weinstein World at Cornell University’

To the Editor:

We are writing in regard to the recent guest column, “Being a Graduate Student in a Harvey Weinstein World at Cornell University,” to emphasize that sexual harassment or coercion of any kind has no place at Cornell. The author is absolutely correct that graduate students and, indeed, all members of the Cornell community should be protected from sexual coercion and that academic success should never be linked to such pressures. For that reason, it is important to be aware that Cornell Policy 6.4 clearly prohibits such misconduct. That policy defines “Sexual Coercion” as follows:

“To obtain compliance with sexual acts by using physically or emotionally manipulative actions or statements or expressly or implicitly threatening the person or another person with negative actions. Examples of sexual coercion include statements such as “I will ruin your reputation,” or “I will tell everyone,” or “your career (or education) at Cornell will be over.”

The policy also defines Sexual Harassment as follows:

A form of protected-status harassment that constitutes unwelcome sexual advances, requests for sexual favors, or other oral, written, visual, verbal or physical conduct of a sexual nature that unreasonably interferes with the individual’s work or academic performance, or creates an intimidating, hostile, or offensive working or learning environment under any of the following conditions:

Submission to, or rejection of, such conduct either explicitly or implicitly is (1) made a term or condition of an individual’s employment or academic status, or (2) used as a basis for an employment or academic decision affecting that person; or
The conduct is sufficiently (1) persistent, severe or pervasive, and (2) has the purpose or effect of altering the conditions of an individual’s employment or academic pursuits in a way that a reasonable person would find abusive, hostile, or offensive.

JONES | Louis C.K. and the Art/Artist Problem

Over the summer, I had an ongoing debate with a friend at work about whether it is worthwhile, useful or even possible to try to “separate the art from the artist.” It covered the predictable bullet points this argument usually touches: whether art “ascends” to somewhere outside of the human sphere of its creators or whether it always bears the sign of the creator’s human hand; whether or not it is harmful to continue consuming art that was created by (generally) male artists with odious and/or criminal backstories; and whether it is ever useful or informative to apply an artist’s biography to their work. I was firmly in the camp that the art and artist are inextricable, and the Hollywood revelations of the past few weeks have only made me more sure of this. The relationship of biography to art was always impossible to ignore in Louis C.K.’s FX show Louie, and this was the way that C.K. intended it. The show’s main character was a reflection of its creator that never pretended to be much different than the man himself, but with his baggage and misbehavior exaggerated (it seemed). Louie was critically adored for seasons, and often praised as an incisive interrogation of masculinity and gender norms. There were some voices of criticism about the ways it depicted sexual assault and harassment — more than one episode features Louis C.K.’s character enduring some form of sexual assault by a female character, and there is a deeply disturbing scene in which he pushes and drags his “love” interest Pamela around his apartment trying to kiss her, an action which has absolutely no repercussions for their storyline.

Chris Savino, Cartoon Brew, and How NOT to Respond to Sexual Violence

If you read the news, you’ve heard of the unfolding scandal with Harvey Weinstein. It’s put a spotlight on show business, demonstrating the rampant sexual harassment that occurs throughout the industry. More producers are now facing allegations, and, sadly, the animation industry that I love is not immune to sexual harassment. Chris Savino, the creator of Nickelodeon’s hit show The Loud House, was suspended from the show last week over allegations of sexual harassment. Twelve women came forward and recounted instances, stretching over the past decade, of Savino making unwanted advances and threatening to blacklist them if they spoke out.