Arts & Culture

TV Shows Returning in 2024

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Now that the SAG-AFTRA strike has finally ended, 2024 is shaping up to be an absolutely amazing year for television fans who have been long awaiting the return of their favorite shows. Though this list spans only a tiny fraction of all the shows returning this year, the ones covered below include many of the biggest names in current television, as well as personal and highly recommended favorites. On this list, there is something for everyone: historical dramas, comedies, action adventures, reality, international stories, romances and so much more. It is time to pull up your Google Calendar and start adding in these dates for a binge-watching session — there is a lot to look forward to in the months ahead. 

Winter

All Creatures Great and Small: January

One of the first shows to return this year, and the only one on this list already released, is the third season of All Creatures Great and Small. All Creatures is a PBS Masterpiece show that returned to American screens on Jan.

Arts & Culture

HBO Reimagines ‘Watchmen’

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In the premiere episode titled “It’s Summer and We’re Running Out of Ice,” we end with more questions asked than answers received.

Anita Hill

Confirming the Excellence of Confirmation

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Confirmation is a timely exploration of gender, race and power, based on the confirmation hearing of Supreme Court Justice Clarence Thomas (Wendell Pierce). However,the movie is not really about Thomas — it follows Anita Hill (Kerry Washington), who shares her experiences as his advisor and assistant, and was subjected to sexual harassment by him. A historical drama at the genre’s best, Confirmation presents the proceedings mostly factually, although leaning to the side of Anita Hill. The bias doesn’t seem to get in the way of fact, and allows an important story to be told. Anita Hill and Clarence Thomas share many characteristics.

American Pie

A Conversation With High School Musical Composer, David Lawrence

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David Lawrence is a film and television composer, songwriter and producer whose score and song credits include the American Pie films, the High School Musical series, and the forthcoming HBO documentary, Becoming Mike Nichols. The Sun spoke with Lawrence in anticipation of his visit this Friday about movie music, the process of scoring and Frank Sinatra. The Sun: There are so many people who write music to be a pop hit or for the radio.  Was it your goal to write television theme music or soundtrack music? David Lawrence: I went to conservatory in New York.

Arts & Culture

Girls’ Fifth Season Goes Off Like a Bomb

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The first episode of HBO’s Girls hotly anticipated season five is simply and ineptly named “Wedding Day.”  A more fitting title may instead be “The Abominable Bridesmaids,” or “Rain on Her Wedding Parade,”or even perhaps most accurately, “Lives of 20-Somethings Go Off Like Bombs in Slow Motion (at a Wedding).”

Girls has been a staple of quirky feminist television since 2012, drawing much of its plot line from writer Lena Dunham’s own life experiences. Few other shows offer such powerful statements on the modern female existence, incorporating key elements on issues of self-image, body shaming in the social media and hard-hitting takes on women’s rights to services such as abortion. Naturally, the show has drawn several points of controversy — namely regarding its ethnic representation. In The Independent, Catherine Scott critiques both the writers and characters in the show in a scathing review, “What’s there to celebrate for feminism when black, Hispanic or Asian women are totally written out of a series that’s supposedly set in one of the most diverse cities on earth? But also, what’s there to celebrate for feminism when a show depicts four entirely self-interested young women and a lead character having the most depressing, disempowered sexual relationships imaginable?”

At the end of season four last year, audiences were left with a number of dilemmas spawning from the four main characters’ hectic personal relationships.

hbo

Show Me A Hero: An Understated Treasure

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The conventional wisdom about David Simon, the creator of The Wire (yes it really is the greatest show of all time as many people annoyingly but correctly remind you), Treme and Generation Kill is that he is a pessimist: that his shows are about the inability of society to resolve its ills. And while this is true to some extent, it does not paint the full picture of his work. Simon’s shows can be optimistic about people — ordinary people just trying to get by and do the right thing. Rather, he seems to be deeply pessimistic about human institutions. These institutions, whether they be government bureaucracies, drug gangs or entire cities, are unable to reform themselves, and often in their structure, prevent individuals from doing the right thing.